I sat down with Radclyffe to discuss the relationship between writing a memoir and living an authentic life, how he sees the relationship between Adult Human Male and Frighten the Horses, and his fascinating assertion that we’re thinking about gender “transition” completely wrong

Queer women have always been part of the horror genre. But in the capable, beckoning hands of Clements and Datta, we get to see the story from their perspective, with monsters made not from them, but for them. In “Feast While You Can,” queer desire is the cure, not the curse

Bratton has accurately drawn a protagonist stuck still by his pain, and the result is a story that for long stretches also feels stuck itself.